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Drawings :: Pylons - sculptures


The SHT drawings are drawings for  "High Tension" sculptures pylons.
They target the infrastructure such as :
- Electrical power lines
- Wind energy towers
- Mast lighting
- Antenna masts
- telecom towers ...  

Elena’s concept is the first in the world solutions for the integration of energy networks with sculptures - towers. 

New forms: The pylons sculptures, based on lattice pylons construction have new forms: humanoids, beautiful ladies, birds, animals and insects, but also flowers and trees, letters and numbers, abstract forms… still studied for the country and the region of its location. For example, a "Menina" for Spain, a "Tulip" for Holland, "Sabres of the Vikings" for Norway, ” masks” for Peru, a fashion show pylons in France ... The sculptures towers are static or moving, walking, dancing pylons.
For a coherent line transmission, the concept is to have similar shapes in a row on the theme chosen depending on its implementation.
                     Pylons new forms
pylon sculptures pylon sphere
funny pylon pilône sculpture pylon numbers and letters
animal tower, wolf
pylon birds pylon insects
pylons numbers and letters viking-boat-pylon deer-figure-pylon
pylon bird figure sabers pylons Twisted pylons
pylon flower
                   Humanoid pylons
giant ladie pylône sphère
pylon figure

Immaterial Presence – The artworks of Elena Paroucheva

Threadlike, the sculptures permit the gaze to casually cut up the spaces. Lines and traits, they do not describe the matter but indicated what it could be.

One finds as  much the purification of cathedrals as well as the electricity network, one conveying the strength of the idea and the other the megawatts of energy. Immaterial presence, but a unquestionable presence.

Finally the metaphor asserts itself with electronic circuit, higher than the neuronal personal network, and higher still the impalpable meshes that connect between all members of society.
If such of a sculptures brings to mind an acrobat, it’s because each connecting point of small metal rods is reminiscent of an acrobat, and then, all together they become an acrobat.
  Patrice Grell,  "ARPAGEM"

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